THE NATIONAL ART MUSEUM from CLUJ-NAPOCA

THE NATIONAL ART MUSEUM from CLUJ-NAPOCA

Muzeul National de Arta Cluj has an extraordinary valued patrimony of Romanian and European art paintings, graphics and decorative art (the 15th to the 20th centuries.) It was founded in 1951 and it benefited by some already existent funds: a small part of the curiosity collection, metal work, pieces of furniture and European plastic art, previously belonging to Muzeul Ardelean (The Transylvanian Museum) and above all, it benefited by the collection known under the name of ” Pinacoteca Virgil Cioflec” (The Virgil Cioflec Pinacotheque.) Virgil Cioflec (1876-1948) was the author of some important monographies dedicated to the painters Stefan Luchian (1924) and Nicolae Grigorescu (1925); he is also the author of some writings upon the pertinent art which had been published in that time’s written media. His name is related to a cultural act of great significance for the inter-war life of the city of Cluj: the donation of his collection of Romanian art to the University of Cluj (1929-1930.) The opening of Virgil Cioflec Pinacotheque for the public (1933) meant, in fact, the opening, in Cluj, of the first museum of Romanian modern art, whose successor today is Muzeul National de Arta Cluj.

It was formed with the passion and the competence of the man who knows and who is able to appreciate the true values (Nicolae Grigorescu, Stefan Luchian, Dimitrie Paciurea) and to clear-sightedly support the affirmation of authentic talents (Theodor Pallady, Camil Ressu, Vasile Popescu, Jean Al. Steriadi, Lucian Grigorescu, Oscar Han, Cornel Medrea.) The Virgil Cioflec collection represents, even today, the most valuable nucleus of the patrimony of Muzeul National de Arta Cluj. In the years that followed after its founding, the increase of the number of works that came to belong to the museum was realized with the help of some transfers, donations and purchasing. Along with the works of art that had been transferred from the Ministery of Culture, Muzeul National de Arta Bucuresti (The National Art Museum Bucharest) and the Local Administration (Barbu Iscovescu, Constantin David Rosenthal, Theodor Aman, Gheorghe Panaitescu Bardasare, Carol Popp de Szathmary, Ioan Andreescu, Karl Storck) there is an important number of works that came from the Cluj Branch of the Romanian Academy (1971.) The works, important art pieces from Transylvania (unknown painters from the 18th and the 19th centuries, Franz Neuhauser, Joseph Neuhauser, Franz Anton Bergman, Koreh Sigismund, Szathmary Gati Sandor, Simo Ferenc), did substantially contribute to the outlining of the patrimony’s physiognomy

The research labour, accomplished during the years by the museum’s specialised personnel, and made public through studies and proportion retospective exibitions, introduced into the national artistic circuit important personalities of the Transylvanian art: Elena Popea, Alexandru Popp, Pericle Capidan, Szolnay Sandor, Tasso Marchini, Aurel Ciupe, Romul Ladea, Petre Abrudan, Emil Cornea, Nagy Albert, Theodor Harsia, Fulop Antal Andor, Alexandru Mohy, Georgeta and Constantin Ticu Aramescu, Ioan Sima, Petru Feier, Anton Lazar, Walther Wiedmann, Bene jozsef, Letitia Munteanu, Coriolan Munteanu, Friedrich Bomches, Sabin Nemeş, Nicolae Agîrbiceanu, Valer Chende, Egon Marc Lovith, Constantin Lucaci.These retrospective exibitions determined important donations from artists and from their families, as well as from different art collectors. The research developed a programme of purchasings, oriented with priority, toward the underlining of the native artists’ creation or of those artists who were active within the intra-Carpathian area (Aloisie Hora, Misu Popp, Venceslav Melka, Sava Hentia, Simion Corbul-Hollossy, Octavian Smigelschi, Dimitrie Cabader, Nagy Istvan, Sabin Popp, Hans Eder, Johann Mattis Tensch, Virgil Fulicea); the programme was also oriented toward the enriching of the patrimony of old art (religious paintings from the 17th and the 18th centuries) and of Romanian modern art (Gheorghe Petrascu, Francisc Sirato, Ion Teodorescu-Sion, Alexandru Phoebus, Corneliu Mihailescu, Ziffer Sandor, Thorma Janos, Corneliu Baba, Ioan Georgescu, Ion Jalea, Ion Irimescu, Dimitrie Gheata, Ion Tuculescu).

The museum is hosted by an important baroque building from the 18th century, the work of the German architect Johann Eberhard Blaumann. The place that represents the storey of the palace is destinated to Galeria Nationala (The National Gallery.) In 1990, Galeria Nationala was closed for the re-organising process,which had been imposed both by the state of advanced degradation of the building and by the need of organizing the permanent exibition if it was to take into account the new researches and the works that had been purchased or donated lately. Due to an attentive restoration, the wide space of exibition at the storey of the Banffy palace, regained a configuration that is very similar to the original one; at the same time the space is perfectly suited for the role of art museum. 325 paintings and sculptures were selected; They were prepared an exibition tratement (restoration, preservation of frames, socles) that was adequate to their special artistic value. The new pagination of Galeria Nationala, re-opened for public in january 1996, offers a synthesis of four centuries of Romanian art with a natural stress on the artistic phenomenon in Transylvania: The Altar from Jimbor (the 16th century), Biedermiir painting, art in the style of 1900, avant-guarde, the artists related to Scoala Superioara de Arte Frumoase and to Centrul Artistic Cluj: Alexandru Popp, Szolnay Sandor,Pericle Capidan, Catul Bogdan, Aurel Ciupe, Romul Ladea, Petre Abrudan, Tasso Marchini, Alexandru Mohy, Szervatius Jeno, Theodor Harsia, Kovacs Zoltan, Nagy Albert, Anton Lazar, Virgil Fulicea, Constantin Dinu Ilea, Ioan Sima, Egon Mark Lovith.

The artists were represented in the gallery by the most important of their works, having in view both the revealing of the characteristic aspects of the multi-culture in Transylvania and the suggesting of the complex relations betwwen the art in Romania and the main tendences and streams of the European one. By including fully consacrated values into the synthesis of national post-war art, created in Transylvania and especially in Cluj, the museum remains receptive also to the creations of more recent date. For this reason, three neighbouring halls of Galeria Nationala have been destinated to temporary exibitions of Romanian artists who became known during the latest decades. This space, symbolically inaugurated with the painting exibition of Nicolae Maniu, who, originating in Cluj and educated at Academia de Arte Plastice from this city, is now developping a prestigious activity in France. Among the temporary exibitions of this year, Which have been opened in the same space, we mention the exibition of painting and sculpture of Onisim Colta and Gavril Abrihan and the painting exibition of Ioan Aurel Muresan.

Sursa:

http://www.cimec.ro/muzee/Cluj/index_eng.htm

Piersici – natura statica (Peaches- static nature)

Veneţia (Venice , Venezia)

Natura statica (Static Nature)

Cirese (Sweet cherries)

Maci in ulcica (Corn poppy into the pipkin)

Cluj – Napoca by Sabin Nemeş

Scurta biografie SABIN NEMEŞ – artist plastic Cluj

Scurta biografie SABIN NEMEŞ ( 15.10.1924 Cojocna – 20.11.1984 Cluj)

S-a nascut in localitatea Cojocna  jud.Cluj, fiul lui Vasile si Cornelia Nemeş , din tarani mijlocasi – al treilea copil din cei şase (4 frati si doua surori, din care doi au murit).

                                                   Pictorul este primul din dreapta, urmeaza Vasile Nemeş-tatal, fratele cel mare Valentin, mezinul familiei (in costum national)-Marinel, Cornelia Nemeş-mama si sora cea mare Margareta

A urmat cinci clase primare la Scoala din localitate, scoala vizitata de Imparatul Austro-Ungariei, Francisc Iosif I.

Cursurile inferioare al Scolii Normale Cluj, le-a urmat in anii 1936-1940.

In anul 1940, in urma cedarii Ardealului de Nord, Ungariei, s-a refugiat in Romania. In urma unei audiente la Ministerul Invatamantului a fost repartizat la Scoala Normala din Timisoara, pe care a absolvit-o in 1944.

Imediat dupa terminara scolii, a fost incorporat in armata, urmand cursurile de ofiteri rezerva de la Inău (langa Arad). Aici dupa trei luni de instructie a fost trimis pe frontul din apus. A fost decorat pentru acte de bravura cu virtutea militara. Dupa restabilirea linistii in zona, a fost demobilizat si a plecat la Bucuresti, unde a dat examen de admitere la Institutul de Arte „Nicolae Grigorescu”. A urmat Cursurile Institutului in perioada 1945- 1949, pe care l-a absolvit luand Examenul de Stat. Profesori cu care a studiat si au contribuit la formarea sa ca artist plastic la Institutul „Nicolae Grigorescu” sunt: Camil Ressu, Jean Steriadi, Lucian Grigorescu.

A intrat in campul muncii la data de 11.05.1950 la Intreprinderea de constructii locale. A fost transferat in interes de serviciu (1953) la Sfatul regional Cluj. Alt transfer s-a realizat in anul 1962 la Institutul pedagogic, ca si Lector, timp de trei ani. In anul 1971 s-a transferat la Institutul de arte plastice “Ion Andreescu”-Cluj, tot pe post de lector. De aici s-a pensionat pe caz de boala in 1976.

In timp ce lucra la Institutul de Arte Plastice, a fost forţat sa intre in PCR ca membru de partid, altfel ar fi exclus din invatamant. A intrat in randul membrilor de partid in acelasi timp cu Maestrul Romulus Ladea (sculptor). In anul 1983 a cerut sa fie exculs din randul membrilor PCR. A facut greva foamei pentru acest lucru. Ca urmare nu i-au mai fost permise tablouri la expozitii in cadrul UAP ( Uniunea Artistilor Platici).

Atelierul pictorului din Cluj – fosta 6 Martie nr.5  (azi Iuliu Maniu)

Este inmormantat la Cojocna(1984), jud Cluj in cimitirul Bisericii Ortodoxe.

Activitate artistica:

Din anul 1960 este membru al UAP (Uniunea Artistilor Plastici).

A participat la 14 Expozitii Regionale cu 1-4 tablouri (1953, 1954, 1955, 1956, 1057, 1958, 1959, 1960, 1962, 1963, 1964, 1966, 1967, 1968)

A participat la expozitia tinerilor artisti (1960),

A participat la expozitia de arta plastica inchinata celui de al IX-lea Congres al PCR(1965).

A participat la Expozitia in folosul sinistratilor (1970) Cluj

A participat la Expozitii Judetene :

1968 – Expozitia Interjudeteana de Arta Plastica Cluj

1969 – Expozitia Judeteana de Arta Plastica Cluj

1970 – Expozitia Judeteana de Arta Plastica, Pictura, Sculptura, Grafica Cluj

1971 –  Expozitia festiva de Arta Plastica si Decoratiuni a judetului 1921-1971 Cluj

1972 –  Expozitia Judeteana de Arta Plastica, Pictura, Sculptura, Grafica Cluj

1973 – Expozitia Judeteana de Arta Plastica, Pictura, Sculptura, Grafica Cluj

Expozitii personale in anii: 1968, 1973, 1977, 1983 la Cluj

In 2004 Expozitia retrospectiva la Muzeul de Arta din Cluj

Informatii tiparite:

127 Artisti Clujeni, 1974 Colectia pentru Cultura si Educatie

UAP –Uniunea Artistilor Plasticidin RSR, filiala Cluj

Expozitia Interjudeteana de Arte Plastice, 1968, UAP

Pictori Clujeni de Mircea Toca, editura Meridiane

In decursul anilor lucrarile au fost remarcate de presa, iar unele lucrari au fost achizitionate de Sfatul Popular Regional Cluj, Palatul Culturii, Comitetul de Cultura si Educatie Socialista Cluj, Comitetul de Partid Cluj, Muzeul Raional Zalau, Ambasada Japoniei (1968), Universitatea Cluj –rectorat, Consiliul Judetean Cluj, Muzeul Etnografic al Transilvaniei Cluj si peste 30 de colectii particulare.

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Informatiile au fost puse la dispozitie spre publicare de fratele artistului, Domnul Marinel Nemeş.

Pliante, invitatie la expozitia personala a artistului Sabin Nemeş

  

 

 

  

   

Pliant expozitie pictura Sabin Nemes – 2004

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